Review by Roberto Oddo
are snapshots, framed still images, which suggests in his photos Lorenzo Avola without frames. Cameras without lens, published by La Zisa (96 pp., € 9.90). Setting to one that is 'no', that does not mean rejection: if anything, is the implicit value of a 'not yet', and with it, the question about the direction that will take these pictures in his life. Lorenzo is very young, when it seemed born in 1988, except that I do not know the person to whom such a label would be appropriate for less military. Not that he lacks the fighting spirit: his own verses, indeed, seem to struggle against the distortions of a world that rejects militancy, unless it is pinned on the medals of some hero. But Lorenzo does not see a hero (Mirror, mirror on the wall) and wants to build a world of men and women who commit themselves to the world they believe in, not martyrs who give names to roads crossed by multiple forms of 'evil live '. Moreover, it is precisely here, in these shots by the way, that man becomes a poet Lorenzo. The author openly the difficulty to seal his lines with a formula to simplify the experience and it will open up the meaning: I think instead that, after reading it, the originality of this poem is open to glance in their titles, in the draft a trip to its destination still open, but by no means devoid of sound personal guidelines. The author sums up, in ways that will accrue to him, this life in motion (Driver's sais, Misilmeri, Etna in the distance) and the anger that many feel compared to a world that does not resemble even the implied promises of those who loves us . In these fifty poems converge sleeveless of the young dreamer and the moments of the slack in the form of verse nominal without a verb to undermine the apparently inevitable stillness, as if to acknowledge that without the discounts to which you must react. The dialectic of Lorenzo vein towards life flows in a poetic pattern free, oriented to the concept, to communicate with a reader who wants to participate and able to imagine the thousands of emergency responses that will arise.
are snapshots, framed still images, which suggests in his photos Lorenzo Avola without frames. Cameras without lens, published by La Zisa (96 pp., € 9.90). Setting to one that is 'no', that does not mean rejection: if anything, is the implicit value of a 'not yet', and with it, the question about the direction that will take these pictures in his life. Lorenzo is very young, when it seemed born in 1988, except that I do not know the person to whom such a label would be appropriate for less military. Not that he lacks the fighting spirit: his own verses, indeed, seem to struggle against the distortions of a world that rejects militancy, unless it is pinned on the medals of some hero. But Lorenzo does not see a hero (Mirror, mirror on the wall) and wants to build a world of men and women who commit themselves to the world they believe in, not martyrs who give names to roads crossed by multiple forms of 'evil live '. Moreover, it is precisely here, in these shots by the way, that man becomes a poet Lorenzo. The author openly the difficulty to seal his lines with a formula to simplify the experience and it will open up the meaning: I think instead that, after reading it, the originality of this poem is open to glance in their titles, in the draft a trip to its destination still open, but by no means devoid of sound personal guidelines. The author sums up, in ways that will accrue to him, this life in motion (Driver's sais, Misilmeri, Etna in the distance) and the anger that many feel compared to a world that does not resemble even the implied promises of those who loves us . In these fifty poems converge sleeveless of the young dreamer and the moments of the slack in the form of verse nominal without a verb to undermine the apparently inevitable stillness, as if to acknowledge that without the discounts to which you must react. The dialectic of Lorenzo vein towards life flows in a poetic pattern free, oriented to the concept, to communicate with a reader who wants to participate and able to imagine the thousands of emergency responses that will arise.
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